Saturday, June 30, 2018

How I Write a Synopis (with reveal!)

Last week my post was on writing flash fiction. Today I'm going to share some tips on synopsis writing, otherwise known as blurbs. You know, that pesky paragraph or two that goes on the back of a book? Hated by authors all over the universe. Unlike flash fiction, these aren't optional if you're headed down the author path. So the less miserable they make you, the better.



I actually love writing blurbs. To me, it's highly satisfying to make a book sound super exciting and all dramatic in a few short phrases. That doesn't mean it's always easy, though.

Tips to keep in mind


I always thought they needed to be as short as possible, but several well-loved authors I know getting published through big traditional publishers have super long blurbs ... like four+ paragraphs or just really long. So maybe length is personal taste. And my personal taste is short. ;) Mainly because I think being concise is important.

As I'm sure you know, the ultimate goal of a synopsis is to make someone read (or buy) the book. This means it has to be engaging and provide a "hook" that's unavoidable.

Of course, if it's not someone's genre or what have you, there may be only so much you can do. This is not about making false promises! If you give the wrong impression, you're setting yourself up for one-star reviews. But you do want to pose a problem or a "what if" that will appeal to people who read comparable books, which is why many blurbs end in a question.

Something lots of new blurb writers struggle with is the fact that it feels like you're giving spoilers. That's because you are. Often there's one vital piece of information revealed in the first few chapters that needs to go in the back matter to set up the story and the drama of the real revelation in the book. Trust me, it's a small worthwhile sacrifice to make and no one will mind.

So the real dilemma always becomes what do you tell? Only the pertinent details. Again, you're setting up the story. They don't need to know a bunch of names, places, eye color, or distant relatives yet. They'll get that throughout the first few chapters when they decided to start the book. The main character's name, role, where it's set, and whether or not God's a character would all be good things to include.

My formula


Ultimately, all those details to keep in mind make my process look something like this:

Paragraph One

  • Sentence 1: short and punchy introduction to the main character
  • Sentences 2-3: set up the story with those pertinent environmental details
  • Sentences 3-4: give the moment that changes everything
Paragraph Two (if there's a second main character or entity)
  • Sentence 1: short and punchy introduction to the secondary character/entity
  • Sentences 2-3: paint the scene for this character again with pertinent details
  • Sentences 3-4: show how this character relates to the first *optional* (some people prefer not to connect those dots until later in the story depending on how it's told!)
Paragraph Three (this will be paragraph two if there isn't a second main thing to introduce)
  • Sentences 1-2: state what begins to happen and what must or does happen as a result (fear, sacrifice)
  • Sentences 2-3: present the dilemma this poses for the character (often a question)
I hope that's helpful as a basic formula, but don't let it restrict you. I didn't use the formula to write my published blurbs (it just fits them). I did use it on the bonus blurb below. :)

Example blurbs


Here are the blurbs I have for my published books to exemplify that process.

***


Martin Hospitality (132 words)

Gemma Ebworthy is eighteen, pregnant, and alone. Now that she's been evicted, she finds herself sleeping in a barn, never dreaming that tomorrow could bring kindness of a life-changing magnitude.

The Martins aren't a typical family--even for rural Kansas. With more kids than can be counted on one hand and a full-time farm, Gemma must make a lot of adjustments to fit in. But despite their many differences, Gemma finds herself drawn to this family and their radical Christian faith.

When Gemma's past collides with her yet again, she must begin revealing her colorful history. With every detail Gemma concedes, she fears she will lose the Martins' trust and the stable environment she desires for herself and her unborn child. Just how far can the Martins' love and God's forgiveness go?

Andora's Folly (99 words)


A Pandora's Box retelling



Andora is a beautiful young woman with insatiable curiosity. Raised in splendor, she is spoiled by her privileged life. When a love letter is slid under her door, her life takes a drastically unromantic turn. Nothing makes sense—her arranged marriage, the gifts her parents bestow on her wedding day, or her new husband’s temperament.



As Andora begins to unravel the mysteries around her, she ignites a chain of events that have the power to sabotage her entire village forever. Only her new-found wisdom as a desperate peasant's wife can save her from her folly.

***

Both of those blurbs give away the entire first chapter, but they work! There are lots of optional goodies as well, like a log line, quote, descriptor (like with Andora's Folly), or even an editorial review. However, I think all of that is mere icing on the cake. The synopsis has to stand on its own.

You can do it! Those are not first drafts. I wrote and rewrote them, sent them to a trusted friend or two (who have good blurbs), and rewrote them again. Don't be afraid to revise! The synopsis for Andora's Folly underwent a total rewrite because I removed one chapter, thus changing the whole crux of the book. #oops

And just for fun, I'm sharing the brand new blurb for Martin Crossroads, subject to change of course! WARNING: contains mild spoilers for book 1.

***

Martin Crossroads (130 words)

Gemma Ebworthy won't be a single mother for much longer. Engaged to a man she's convinced she doesn't deserve, her new life with a husband, Savior, and growing family is only the beginning of her journey forward.


Farris grows up under pressures stemmed from his own conception. Fighting to exceed his mother's expectations, he finds a fast friend in his adoptive father. Yet the differences between him and his siblings continue to cause a rift in his heart.


With each development in the new Martin family's farm life, they must learn to overcome the past together. And when the past reappears in a form Gemma never thought possible, her trust in God and in her son will be tested. What will it take to bring them through the crossroad?
I sincerely hope that will be of help! Come back to leave your success stories!! On a scale of 1 to hellfire, how much do you hate writing a synopsis? If you're interested in some help, I charge a flat rate of $10 for a synopsis edit.

Once again, sign up for the newsletter in the sidebar to see the Martin Hospitality prequel flash fic in your inbox next week!

Speaking of my books, I'm participating in a Christmas in July event with a bunch of writer friends! My portion will be on July 28, but check out other stops along the way for individual giveaways and bonus ways to enter the really large giveaway (international option as well)! There's all kinds of Christmassy stuff going on to give you a break from the heat with a good read. 

Have a great Independence Day!

Saturday, June 23, 2018

The Pros and Cons of Flash Fiction

I've recently begun branching into some briefer storytelling niches, flash fiction in particular. A huge thanks to Rosalie Valentine and Just B. Jordan for their encouragement, support, and tips. Overall, I'm enjoying the venture. Here are some of the pros and cons I've seen so far.

Flash fiction is typically considered to be a story under 1,000 words. That's short. For those of you (like me) who can't picture what that looks like on paper, it's around 2 pages.

As someone who has only ever created stories on a much larger scale (30k, 80k, and 100k), there is an adjustment to trying out this kind of writing. I've found it to be a mostly positive enterprise.


Pros

  • punchier because every words matters. It tests your true skills as a wordsmith ... hehe
  • completed quicker because it can only take so long to write 1,000 words. (OK, so I've spent  a month stuck on one ... but still.) Checking that "finished draft" box way sooner is worth it!
  • edited easier. The entire process is pretty much expedited. Three readthroughs just don't take as long. (Yes, please!)
  • can be published in other venues like in magazines (check out Splickety Publishing Group) or on your blog. 
  • low investment, high return. I consider it to be a pretty decent test of all facets of my writing abilities and it simply way quicker.
  • easy way to experiment with new things like a different POV, person, or tense and not get stuck with a bad experiment for 200 pages
  • great for the "half ideas." You know the ones--the story prompts and Pinterst boards that have no details but are so. cool. Maybe they're not meant to be books!
Overall, it's more poignant and speedy. You understand why it's called flash fiction now, right? The fiction part implies that no manual can possibly be that short, but hey? Maybe flash nonfiction needs to be a thing. ;)

Cons

Trust me, these are hardly cons. More like difficulties. And what writing doesn't have difficulties?

  • characters have to develop quickly. This isn't a bad thing ... it's just way different than a novel in it's pacing. The character arc(s) is on warp-speed
  • there's only one theme. You quite simply run out of room for much else. If you're like me and come up with a thousand plot bunnies in the first page ... you'll have to ignore them. Or just ... give them their own flash fiction?
  • forces words to be important. Not bad, just difficult. It tests editing skills in this way, I guess.
  • the exact opposite of long-form writing. Duh, right? Flash fiction requires a total mental shift for me as it's either summarizing a lot or focusing in on a little.
  • not typically for profit. You likely won't be making money off the finished product unless you compile a bunch of flash fiction into a book or win a paid contest.
  • takes as long to plan as to write. I have a super hard time planning flash fiction at all to be honest. I usually have to start writing to get anywhere so beware over-planning!

I'm not sure why I waited so long to give this a shot. It's not a very high-risk attempt (unlike setting out to write an entire novel ... or trilogy *cough*). And it's FUN. There's only so much room to get bogged down.
Have you tried flash fiction? If not, what's stopping you?! For tips on writing it, try this post that kickstarted me.

Speaking of!!! I'm sharing my first flash fiction piece in my newsletter which will be going out in ten-ish days. It may or may not ... be a prequel to Martin Hospitality? I'm very excited to share it with you all, so go sign up for the newsletter if you haven't! (If you have, I love you.)